By Simon Robinson, Co-Founder Foundry 2020 will go down in history as the year that changed the way the world worked – whether temporarily or permanently remains to be seen, but all signs point toward ...
January 25, 2021
By Paul Babb, Global Head of Community and Customer Experience Maxon Long after we’ve forgotten about the masks, social distancing, and quarantine, 2020 will live on in infamy as the year that changed ...
By Chris Ruffo, Global Lead for Architecture and Engineering Lenovo Workstations Throughout the pandemic, architects, designers, and engineers have found new ways to collaborate remotely with their te ...
Surely everyone in our industry is happy to be putting 2020 behind us as we enter a new year. Indeed, 2020 proved to be particularly challenging from just about every corner, resulting in many artists ...
LOS ANGELES – The Visual Effects Society (VES), the industry’s global professional honorary society, has announced its 2021 Board of Directors officers. The officers, who comprise the VES Board ...
January 22, 2021
NEW YORK — Preymaker, the creative and technology studio launched last fall by industry leaders Angus Kneale, Melanie Wickham and Verity Grantham, welcomes multiple award-winner Ruben Vandebroek to it ...
LONDON – Ncam and disguise have forged a partnership that unites Ncam’s real-time camera tracking system with disguise xR, opening up an intuitive blend of LED technology, real-time renderin ...
Netflix has acquired worldwide rights (ex China) to The Mitchells vs. The Machines (formerly Connected) from Sony Pictures Animation.
Soho-based VFX studio One of Us was among the talent pool that crafted visual effects for director George Clooney’s melancholy post-apocalyptic sci-fi series The Midnight Sky for Netflix, and here the ...
January 15, 2021
PARIS – Streamland Media is purchasing the Technicolor Post business.